Untitled - Chemiefaserwerk - Le Grau (Cassette)

Per cassette BxH mm x Soluzioni su misura per te. Professionista Privato Industria. Torna al sito. Errore nell'invio della richiesta. Cookies Policy Stiamo usando cookies tecnici per una navigazione ottimale. Continuando, accetti l'utilizzo dei cookies, altrimenti puoi disabilitarli dal tuo browser. At the time Topics: rock, alternative, free, mainstream, smashing, pumpkins, machina2, machina II.

Alex Niggemann Murk feat. Booka Shade - Times on my Side Cheap Picasso - Holding On Veerus , Maxie Devine - I'm One Mihai Popoviciu - Time Vytis - Organon Fructose rmx Martijn - Reverse Motion Junglemire - Wince Frank Sebastian - Baiser de Solaire Nicola Gala - Sayta Petter B - Loggbay Session B Marco Fender - TNT Hamar Sagi - New Order Luis Flores - The Word Alejandro Trebor - Beta4 Drumcell Topic: c Deep House Cat Show. David Zowie - House Every Weekend Disclosure feat.

Gregory Porter - Holding On Jason Laidback - Freaky Ways Doorly - Boogaloo Rob Scary Intro Oliver Koletzki, Leslie Clio feat. Fritz Kalkbrenner - The Sun Miles Wyde - Havana Sweep 'n' Groove feat. Pete Sabo - Pressure Original Mix Classixx - Into the Valley feat. Karl Dixon Julio Bashmore Remix Larry Cadge - Serendipity Dope Mix Andhim - Boy Boy Boy Harish Nagh Dubai.

Fritz Kalkbrenner - Easin' In [Suol] Bijou - Bad Bitch Original Mix Giuliano A. DJ Funky T ft. Metrophonique - Blue Moon Original Mix Errore nell'invio della richiesta. Cookies Policy Stiamo usando cookies tecnici per una navigazione ottimale.

Continuando, accetti l'utilizzo dei cookies, altrimenti puoi disabilitarli dal tuo browser. OK acconsento NON acconsento. La password deve contenere almeno 6 e un massimo di 12 caratteri, un carattere numerico, una lettera maiuscola e una minuscola.

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For the download of the file you have to be a professionist installer or wholesaler, a designer or lighting designer. Upgrade your profile on my profile page! Codice di verifica scaduto, effettuare la login per completare la registrazione. While this sounded all not too bad, I preferred the other tape to this one.

I would strongly suggest seriously improving on the packaging and making it look better and more informative: that would bring more interest in the music that deserves to be heard by a bigger audience. The music was recorded throughout , in concert as well as in studio surroundings and I assume he cut 'n paste these recordings together in this twenty minute noise onslaught. There is a movement of noise creators who work with computers but who do not rely on just an endless wall of distorted sounds, but in stead have something that jumps and bounces all over the place, left to right in the speaker, with odd jump cuts at even odder places.

And yes, sometimes this is really annoyingly and pleasantly loud , but it never stays long in a single place, not even in the same dynamic place, as it goes from very low to very high end here. I quite enjoyed this release, perhaps due to its briefness.

Longer would perhaps not work as well, and shorter would be… just too short. Now we have a twenty-minute solid impression. It's such a nice tape, that it needs to be mentioned. First of all, the sheer length of this tape: ninety two minutes of music, and each side is presented as one piece, but in fact it's broken down into many small pieces. All of these pieces are a bit pop like, mostly instrumental, a bit techno, and much lo-fi with tinkling on keyboards.

None of the tracks-inside-the-big-track- seems to be using up two or three minutes, and it's making sense as a whole, not as separate pieces. Maybe the label should consider selling MP3s of this?

I am not sure if I heard his work before. Mister Sack we of course know for many years as one of the most important people to play wacky, childlike popmusic. Lo-fi popmusic to be precise, with a nice experimental edge to it, but it is always playing a song and not a 'piece', if you get my drift. Together they worked, I assume, through the strength of e-mail, bouncing back and forth melodies, bits of a song, both of them singing, guitar sounds, a French horn - trademark of any good Sack song I should think - and a bit of computer stuff, courtesy of Sheffield.

Lovely, intimate stuff going on here. Bittersweet small melodies; if only pop music was always like this, I'd be buying too. Also perhaps sold out, but surely still around as a download, is the EP by Adeodat Warfield, nom de plume of Ryan Sublette, of whom I never heard before.

Here too we find something that is pop-like, but more conventional, perhaps, than the Sack Und Sheffield release. Sublette plays keyboards, adds a bit of rhythm and sings. The structure of his songs may be the only thing that is perhaps less ordinary. He's a bit of loose on the organisation of his four songs. He adds quite some reverb and delay to his voice, and that makes it all a bit too similar. But the whole thing - well, c14! Also heavily on the ambient and introspective side, so surely appealing to a few people who are keen to discover something new.

They have a release on a label that is likewise new to me, Earshots Recordings. On this forty-minute cassette we find five pieces of die-hard improvisation. Not of the most careful kind, but all quite direct and in your face.

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Archived from the original on 17 March Retrieved 16 March Archived from the original on 16 March Retrieved 26 September Thomann U. International Cyperstore.

Archived from the original on 11 August Retrieved 22 October In a mono arrangement, each track is 1. For stereo, the left and right tracks are only 0. Retrieved 14 September Archived from the original on 11 July Archived from the original on 21 August Retrieved 16 October New York Times. Retrieved 18 July Retrieved 25 February April Archived from the original on 2 September Rock History.

Retrieved 21 June Retrieved 27 October Retrieved 30 October The Independent. Retrieved 31 January Many will recall fiddling around with volume controls on their computer cassette decks in the hope that Manic Miner would actually load and not crash after 30 minutes of listening to beeps and crackles. Retrieved 20 January Museum of Obsolete Media.

Retrieved 19 July The Syracuse Newspapers. Archived from the original on 23 August Eindhovens Dagblad. Archived from the original on 28 September The Tech Report. Archived from the original on 13 August Retrieved 18 September Archived from the original on 14 September Listen to this article.

Audio help More spoken articles. Physical audio recording formats. Music box cylinder or disc 9th century Mechanical cuckoo early 17th century Punched card Music roll Phonautogram Tefiphon early s Teficord early s Tefifon Dictabelt Wire recording

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8 Replies to “Untitled - Chemiefaserwerk - Le Grau (Cassette)”

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