Nocturne, Opus 15, No.1, In F Major - Valery Lloyd-Watts - Music Meant For You (Vinyl, LP)

Fantasy For Orchestra. Antonio Salieri extract: La fiera di Venezia. Opera buffa. Sinfonia - Richard Bonynge. Allegro e non presto - I Musici di Roma. Robert Schumann extract: Symphony No. Spring Symphony Op.

Au lac de Wallenstadt - Lazar Naumovich Berman. Pastorale - Lazar Naumovich Berman. Georg Philipp Telemann extract: Tafelmusik. Teil III. Chopin: Nocturnes. Fazil Say piano. The first point in favour of Fazil Say — making his first Chopin recording — is that he never over-sentimentalises or lingers unduly.

Indeed, he is matter-of-fact in places, and generally his Murray Perahia plays Chopin. A self-recommending six-disc set As Bryce Morrison said of that disc: 'From Perahia there is order and lucidity at the heart Usually despatched in 3 - 4 working days.

Vladimir Ashkenazy piano. The Chopin Album. Gabetta and Chamayou's approach is very persuasive, above all in the finale [of the Chopin Sonata] which generates an irresistible rhythmic momentum — Gramophone Magazine, June More…. Arranger August Reinhard Sigfrid Karg-Elert Peters , n. Plate Scanned at dpi, cleaned with 2-point algorithm , additional manual cleaning. For Registering Signs see No. Editor Viktor Kubatsky — Orchestral Series No.

Includes footnotes in Russian Cyrillic. Original publisher info and plate numbers omitted in reprint. Editor Massimo Scapin. Editor Nikolaj Hansen The second section, labelled doppio movimento double speed , resembles a scherzo with dotted quaver-semi quaver melody, semiquavers in a lower voice in the right hand, and large jumps in the bass.

The right hand part is composed of simple eighth and quarter note patterns, followed by a chromatic rise and fall. The left hand part maintains quarter note patterns to support the right hand, with pedal marks every six notes.

The ending part of the piece is marked religioso and uses legato chords in the right hand part. The piece also has extreme dynamic contrasts, ranging from fortissimo to pianissimo see Dynamics. The piece departs from the usual ternary form in a Chopin nocturne. The concluding section is not only unrelated thematically to the opening one but in a different key F major.

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9 Replies to “Nocturne, Opus 15, No.1, In F Major - Valery Lloyd-Watts - Music Meant For You (Vinyl, LP)”

  1. Nocturne in F major, Op. 15, No. 1. Chopin's fourth nocturne, it was composed in in simple ternary form (A-B-A). The first section in F major is marked Andante cantabile while the second section in F minor is fast and dramatic (Con fuoco).
  2. Jan 01,  · Nocturne, Op. 15, No. 1, a song by Valery Lloyd-Watts on Spotify We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics Duration: 4 min.
  3. Check out Nocturne in F Major, Op. 15, No. 1: Nocturne No. 4 by Peter Schmalfuss on Amazon Music. Stream ad-free or purchase CD's and MP3s now on
  4. [PDF + MP3 (human)] + Video - Piano solo - Romantic * License: Public Domain - Nocturne 1 in F major Performed by Brett Bachus [Creative Commons Attribution Non-commercial ] 3 pieces 1. Andante cantabile in F major 2. Larghetto in F♯ major 3. Lento in G minor.
  5. The Nocturne in F major, Op. 15, No. 1, is of the passionate type which the composer first explored in the third and final nocturne of the Op. 9 bunch. A tender, loving Andante melody opens this clear-cut ABA form; the more agitated middle section (marked con fuoco) uses a .
  6. Aug 16,  · Provided to YouTube by NAXOS of America Nocturnes, Op. No. 1 in F Major · François Dumont Chopin: 21 Nocturnes ℗ Aevea Classics Released on: Artist: François Dumont.
  7. Download and print in PDF or MIDI free sheet music for Nocturnes, Op by Chopin, Frédéric arranged by ClassicMan for Piano (Solo) Nocturne Opus 15 No. 1 in F Major Sheet music .
  8. The Nocturnes, Op. 27 are two solo piano pieces composed by Frédéric pieces were composed in and published in Both nocturnes in this opus are dedicated to Countess d'Appony.. This publication marked the transition from triplets of nocturnes to contrasting pairs. Whereas the Nocturnes, Op.9 and Op. 15 included three nocturnes each, the remainder of Chopin's nocturnes.
  9. The Nocturne in F major was published in December , simultaneously in Paris and Leipzig (slightly later in London), together with the two other works comprising opus Like two of the three nocturnes from the previous set (Op. 9), Chopin gave the Nocturne in F major from Op. 15 a ternary reprise form.

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