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Hard to find complete! I loved the movie and I love this sound track album. Whitney really shows not only her talent as an actress, but also blew me away with her beautiful voice. I loved all her vocals on this sound track as I know you will too! I was so heartbroken when I heard the news of her passing at such a young age. God's choir has gained a beautiful singer, and we have lost one.
They'll never be another Whitney Houston. No one can compare to her, or her beautiful voice. She was so very talented. So pick up your copy today of The Body Guard Original sound track, you will not be disappointed.
Yours truly Garry E. Kevin Costner cradled the voice in this movie yet bowed down to let her shine! No dis to any other singer whose talent was given to this soindtrack but this is truly Whitney's Soundtrack. We saw her soul on this cd,her voice took us to the mountaintops. And her version of Jesus Loves Me takes all us to church! This soundtrack is a jewel! Kevin Costner thanks 4 believing in the Voice.. God bless Whitney Houston. Whatever frailties she had in life, cannot be matched to her audacious singing, and acting abilities in this movie.
Along with Kevin Kostner, these two are a match made in Heaven. I love the entire movie, but Whitney's voice in singing the music adapted for this movie, is outstanding. I could just listen to her all day. Although we have lost her, she was, and still is a tremendous actress, and one of the greatest singers we have ever been blessed with. Unlimited One-Day Delivery and more. There's a problem loading this menu at the moment. Learn more about Amazon Prime. Back to top. Get to Know Us. Amazon Price.
Amazon Music Stream millions of songs. Audible Download Audiobooks. DPReview Digital Photography. Audio quality was poor, but better than nothing. The practice was banned by the Soviet authorities in , but continued.
While Berry put the instrumental focus on his guitar, Richard bounced his piano off an eviscerating saxophone section featuring tenor soloists Lee Allen and Grady Gaines. Fifty years on, it is easy to mock the exotica of bandleaders such as Les Baxter and Martin Denny.
Meanwhile, sit down with a Pina Colada, Mai Tai or exotic cheroot, as the fancy takes you, and kick back. While Les Baxter and Martin Denny were in the mids exploring earthbound exoticism, Sun Ra had already embarked on an off-planet trajectory. If you only buy one bluegrass album in your life, this is the one to get.
Powerful magic. Working in parallel to, but in isolation from, American electronic innovators in the s, German theorist and composer Karlheinz Stockhausen influenced a generation of conservatoire-trained musicians and composers, along with the jazz and rock avant gardes of the s and s.
The piece integrates electronically-produced sounds with the human voice and is also a blueprint for the experiments in spatial sound-design which Stockhausen introduced in live performances in the s. Post-bop US jazz-pianism was not all about gospel-drenched funk, as played by Horace Silver and his disciples. Like Al Haig, Ahmad Jamal was a leading light of an alternative school.
But while Haig pursued harmonic exploration, Jamal favoured simpler, stripped-down melodicism. He was assiduously championed by Miles Davis at a time when most critics were writing the Chicago-based musician off as a lightweight. Both musicians learnt their art in rural Mississippi. A less urbanised stylist than Waters, Wolf tapped into raw Delta-voodoo roots and his best performances possessed shamanistic intensity. The French composer Jean-Jacques Perrey was an early master of the Ondioline, a proto-synthesizer from the s.
The instrument has a monophonic vacuum-tube keyboard, the keys themselves mounted on springs, so that they can be manipulated to create a vibrato effect whilst playing.
Its suite of slow-paced lullabies was intended for mental hospitals to use as a sort of audio sedative. Kwela aka pennywhistle jive was the link between the South African township-music marabi in the s and the mbaqanga and sax jive styles which emerged in the s. In the street, kwela was typically played on three or four pennywhistles, with the lead musician playing the melody and improvising around it while his colleagues riffed in the background.
In the recording studio, a stand-up bass was sometimes added. Spokes Mashiyane was the most popular performer, rivalled only by Lemmy Mabaso. King Kwela is a collection of previously issued singles and is authentic kwela at its best.
Just when most contemporary observers were writing off big-band jazz as an anachronism, in need of radical retooling by the likes of Gil Evans, the venerable Count Basie recorded this stomping celebration of the classic sound.Buy a CD or Vinyl record and get 90 days free Amazon Music Unlimited With the purchase of a CD or Vinyl record dispatched from and sold by Amazon, you get 90 days free access to the Amazon Music Unlimited Individual plan. After your purchase, you will receive an email with further information. Terms and Conditions apply. Learn more/5(19).